When we think of poets and their public speech today, we are likely to think of poetry as protest.

What a moment it is, to find a poet whose work is unlike any other, and is so good that we pray the poetry gods will keep her safe and warm and grant her a long life of writing such poems for us. For me that moment was when I read her poems in Poetry magazine years ago.

In a letter written in April 1922 the poet Hart Crane posed a question to a friend: “Will radios, flying machines, and cinemas have such a great effect on poetry in the end?”

The first law of language is that there are no laws of language. The laws of language are not the laws of the dictionary.

Just as Emily Dickinson wrote, “If I feel physically as if the top of my head were taken off, I know that is poetry.” I hope that this poem takes the top of your head off — metaphorically, of course!

How a poet writes poems: To repeat the phrase from Hemingway, it’s always the same and always different. In the fall of 1988, driving home from Vermont, I learned just how different. After 20 years of writing (or learning to write) poems in conventional lyric forms, an unknown voice in my head spoke a line […]

About making love Hemingway said, “It’s always the same but always different.” Poets might say the same about how they write.

Many creatures populate my new book, The Boxer of Quirinal, but today I’m thinking of the singularly impressive albatross.

I’ve been wondering why no one is writing verse drama these days. Writing stage plays in verse is as old as literature itself.

“I had the pleasure and honor of asking John if there is a perfect time to write, what the word poetry means to him, his role as President of the Poetry Foundation, and so much more.”