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This is the second in our occasional series celebrating State Poets Laureate. It is adapted from a reading I gave at Bennington College in 2018 when the college was gifted the Stone House in which Robert Frost lived with his family and wrote from 1920-1940. It was here that he won the first of his […]
All rhyme is a regulation of sound. When rhyme is overused and mismatched to the meaning of the poem, it distracts from rather than reinforces the flow. Rhyme then becomes an independent activity; the effect is that of watching a child skip rope while trying to sing an unrelated song. If rhyme in a poem […]
Can you name your state’s poet laureate? If not, you have a lot of company. Although 45 of the 50 states have an official position of state poet laureate (per Library of Congress) the programs vary widely from state to state. Some of the appointments are local and, to steal a line from Ezra […]
If you’re a poet, have you ever read through what you wrote and asked yourself this question: How do you know if what you wrote is a poem? For me, a poem is a sound train. The consonants as givens, the vowels, endlessly open, endlessly Ee—ii—o—oo—aa. Airy aspirates, diphthongs, fricatives, apocopes: Poetry is sound bites […]
Do you differentiate between your work and play, your avocation and your job? Robert Penn Warren asked, “What is a man but his passion?” If you make your life’s work out of your passion, then there doesn’t need to be a distinction between vocation and avocation, or between business and poetry, or between any other […]
This is Part 2 (of 2) of my essay, “Great Audiences for Great Poetry,” adapted from a 2009 speech I gave at AWP (Association of Writers & Writing Programs) when I was president of the Poetry Foundation. The rather insipid title of my remarks, “Great Audiences for Great Poetry,” is adapted from Whitman’s famous dictum, […]
This is Part 1 (of 2) of my essay, “Great Audiences for Great Poetry,” adapted from a 2009 speech I gave at AWP (Association of Writers & Writing Programs) when I was president of the Poetry Foundation. Twenty years ago I moved to Chicago and started work at the Poetry Foundation. I remember visiting historic […]
This is Part 5 (of 5) of my essay, “Hemingway Among the Modernists,” which was originally a lecture I gave at the request of the Hemingway Foundation on July 21, 2012. Here is the question that obsessed Hemingway over the long arc of his novels and stories: What can heroism mean in an age where it […]
This is Part 4 (of 5) of my essay, “Hemingway Among the Modernists,” which was originally a lecture I gave at the request of the Hemingway Foundation on July 21, 2012. We have been talking about how Hemingway the young writer absorbed the writing techniques of Modernism in his Paris years, and made them his own […]
This is Part 3 (of 5) of my essay, “Hemingway Among the Modernists,” which was originally a lecture I gave at the request of the Hemingway Foundation on July 21, 2012. The case for placing Hemingway, in his formative years, among the early Modernists does not lie primarily in the poetry he published. Through the offices […]
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